摘要
马尔库塞认为不论是“现实主义”艺术,还是“先锋主义”艺术,都具有“革命性”,在他看来,马克思主义美学否定了主观性的“艺术”意义和“革命”意义。他倡导的“新马克思主义”美学将艺术加以“政治化”,这实际上是曲解了马克思主义的美学思想,最终导致破坏了艺术原本的形式。与之相反,马克思主义的艺术反映论认为艺术的消亡是资本主义社会危机的反映,这种方法论继承了传统美学的思想,即古典主义美学思想,倡导保护艺术原本的形式,从而体现了艺术反映的特征。从马克思主义立场厘清“艺术”与“革命”的关系,有助于我们把握马尔库塞美学思想的精华。
Marcuse believes that both"realistic"art and"avant-garde"art are"revolutionary".In his view,Marxist aesthetics negates the"artistic"and"revolutionary"significance of subjectivity.His"new Marxist"Aesthetics"politicizes art,which in fact misinterprets Marxist Aesthetics and eventually destroys the original form of art.On the contrary,Marxist theory of art reflection holds that the disappearance of art is a reflection of the Capitalist social crisis.This methodology inherits the thought of traditional aesthetics,that is,classical aesthetics,advocates the protection of the original form of art,thus reflecting the characteristics of art reflection.To clarify the relationship between"art"and"revolution"from the standpoint of Marx is helpful for us to grasp the essence of Marcuse's aesthetic thought.
出处
《艺术设计研究》
CSSCI
2022年第3期107-112,共6页
Art & Design Research
基金
安徽省哲学社会科学规划项目“安徽城市公共空间音乐声环境评价与优化策略研究”(项目编号:AHSKQ2019D081)的阶段性成果。
