摘要
本文以伯希和探险队拍摄编号AP 7086历史照片为中心,对库木吐喇石窟千手眼大悲像做进一步考订。首先,将AP 7086所摄图像比定为库木吐喇窟群区第7窟主室正壁。其次,推测AP 7086所摄图像与库木吐喇石窟已发现的千手眼大悲像,同属龟兹回鹘时期。再次,分析龟兹回鹘时期千手眼大悲像的样式与造像技艺,兼具龟兹与汉地的双重影响。最后,讨论在中心柱窟正壁以千手眼大悲像为主尊统摄全窟,呈现出龟兹回鹘时期当地独有的图像布局。
The dissertation does the further research on the image of Sahasra-Bhuja-Avalokiteśvara in Kumtura Caves centering on the historical photograph No.AP 7086 taken by the Paul Pelliot Expedition.Firstly,the view of photograph No.AP 7086 is evaluated the main wall of the main chamber of Cave 7 in Kuqun district in Kumtura Caves.Secondly,the view of photograph No.AP 7086 and the known image of Sahasra-Bhuja-Avalokiteśvara in Kumtura Caves are speculated belonging to Uighur period.Thirdly,the stylization and technology on the image of Sahasra-Bhuja-Avalokiteśvara in Kumtura Caves show the double influence of Kucha and Central Plain.Finally,the image of Sahasra-Bhuja-Avalokiteśvara located the main wall in central pillar cave as the primary statue to govern the layout of image in a cave,not only show the faith on the appeal salvation in Kucha during Uighur period,but also show an unique image layout in the local region.
出处
《艺术设计研究》
CSSCI
2022年第3期11-15,共5页
Art & Design Research
基金
国家社科基金艺术学一般项目“德国柏林藏高昌壁画研究”(项目编号:20BF098)的阶段性成果。
关键词
库木吐喇石窟
龟兹回鹘
千手眼大悲像
模塑
圆塑
Kumtura Caves
Kucha in Uighur period
Sahasra-Bhuja-Avalokiteśvara
molding Statue
free-standing statue
