摘要
本文从艺术学、人文学科、社会科学三个不同角度,分析了2019—2021年国内影视研究的主要范式和焦点话题,集中在后疫情时期的转折、数字技术的影响、主流影视的发展、全球格局中的亚洲电影等领域,对影视剧领域的前沿热点研究做了评述。中国影视剧研究热度高、产出多、领域广,时代感和现实性特点鲜明,但对研究范式、研究逻辑、研究方法的重视不足,突破性和体系性成果较少。影视剧研究需要通过体验、实证与逻辑的统一,寻求方法论的突破。
This paper is a review article focusing on recent years’ frontier research in film and television studies. The main topics covered in this study include the opportunities and challenges faced by the film and television industry in the post-epidemic era, digital technology’s influence on the development of film and television, the mainstream Chinese films and TV series, and Asian cinema in new global patterns. For previous Chinese film and television research, both advantages and disadvantages are obvious. Innovative methodological breakthroughs are expected, and the unification of experience, demonstration, and logic is necessary to be adopted by future studies.
作者
尹鸿
郝婉全
Hong Yin;Wanquan Hao(School of Journalism and Communication,Tsinghua University)
出处
《全球传媒学刊》
CSSCI
2022年第1期73-92,共20页
Global Journal of Media Studies
关键词
影视研究
中国电影学派
数字影像
亚洲影视
Film and Television Studies
Chinese Film School
Mainstream Chinese Cinema
Digital Technology
Asian Film and Television
