摘要
体验经济时代的人们迫切追求精神欲求与归属感,促使消费空间亟待设计层面的转型。以城市消费空间为对象,从美学视角基于挪威建筑学家克里斯蒂安·诺伯格-舒尔茨(Christian Norberg-Schulz)的场所精神理论、德国美学家格诺特·波默(Gernot Bohme)的气氛美学理论,以北京侨福芳草地、K11艺术商城、新加坡福南购物商场为例,聚焦消费空间艺术化如何实现艺术与消费者间有序有距的对话。结论总结两类艺术化设计手法——“驻足”的途径:主题定位、气氛营造,使传统艺术化手法有效剥离了“同质”“无序”“刻板”的印象。
In the age of the experience economy,people’s strong desire for spiritual needs and the sense of belongings have prompted an urgent request for the design transformation of consumption space.From the perspective of aesthetics,this article focuses on urban consumption space.It is based on the Genius Loci Theory presented by Norwegian Architect Christian Norberg-Schulz,and the atmosphere aesthetics theory proposed by German aesthetician Gernot B?hme.Taking the Beijing Parkview Green,the K11 Art Mall,and the Singapore Funan Digital Life Mall as examples,this article discusses how to achieve an orderly and distanced dialogue between consumers and artisticization of consumption space.Finally,it concludes that there are two types of artistic design strategies,which is the channels of “obsession”,namely theme orientation and atmosphere aesthetics,enabling traditional artistic techniques to effectively get rid of the stereotype of “homogeneity”,“disorder” and “rigidity”.
作者
蒋博雅
黄宝麟
刘少瑜
刘双阳
Jiang Boya;Huang Baolin;Liu Shaoyu;Liu Shuangyang
出处
《家具与室内装饰》
北大核心
2022年第4期102-107,共6页
Furniture & Interior Design
基金
国家自然科学基金项目(51708282)
江苏高校“青蓝工程”资助(苏教师函[2021]11)
南京工业大学2021年校级教改课题(20210152)。
关键词
消费空间
艺术化
主题定位
气氛营造
场所精神
气氛美学
Consumption space
Art
Theme orientation
Atmosphere aesthetics
Genius Loci Theory
Atmosphere Aesthetics Theory
