摘要
历史民族音乐学(Historical Ethnomusicology)的出现主要缘于在民族音乐学学科传统的共时性研究中缺乏对历史维度的思考和关注,受历史人类学的跨学科研究理念的影响,民族音乐学开始强调与历时性研究的结合,从对当下在场的、静态的文本分析和田野描述转向对音乐事象的历史语境和生成过程之变迁的研究。“历史民族音乐学”作为学科研究的关键词,其概念的演变过程也体现了民族音乐学学科观念、思维和范式的转变,尤其民族音乐学在进入中国后,与中国传统音乐研究、中国音乐史等融合发展,学科的研究范畴、研究视角、研究理念在中国逐渐开始“在地化”构建。历史民族音乐学的“中国经验”学术实践,对构建民族音乐学的“中国学术理论话语体系”有重要意义。
The emergence of historical ethnomusicology is mainly due to the lack of thinking and attention to the historical dimension in the traditional synchronic research of ethnomusicology. Influenced by the concept of interdisciplinary research of historical anthropology, ethnomusicology began to emphasize the combination with diachronic research, shifting from the present and static text analysis and field description to the research of the historical context and the changes in the generation process of musical phenomenon. “Historical ethnomusicology” is the key word of subject research, the evolution process of the concept also reflects the transformation of the idea, thinking and paradigm of ethnomusicology. After ethnomusicology was introduced into China, it was integrated with Chinese traditional music research and Chinese music history, etc., thus the research category, research perspective and research idea of the discipline gradually began to be “localized” in China. The academic practice of “Chinese experience” in historical ethnomusicology is of great significance to the construction of the “Chinese academic theoretical discourse system” of ethnomusicology.
作者
赵书峰
肖志丹
Zhao Shufeng;Xiao Zhida(the School of Music of Hunan Normal University,Changsha,Hunan,410081;Hunan Normal University,Changsha,Hunan,410081)
出处
《民族艺术研究》
CSSCI
2022年第2期5-13,共9页
Ethnic Art Studies
基金
2020年国家社科基金冷门绝学研究专项项目“中国与东南亚瑶族《盘王大歌》系列传世唱本整理与研究”(项目批准号:20VJXG022)的阶段性研究成果。
关键词
历史民族音乐学
历史人类学
接通
学术话语
中国实践
historical ethnomusicology
historical anthropology
connection
academic discourse
Chinese practice
