摘要
延安文艺作为20世纪中国大众文艺最典型的实践形态,秉承五四文化运动逻辑,显现出“传统”与“现代”的碰撞融合。同时,延安文艺在接纳西式“歌剧”的形态重构中,不断进行外来文化“本土化”的文艺生产。延安歌剧是延安文艺运动高潮的文化艺术形态,由西方引入到不断本土化的嬗变过程,也正是延安文艺自身不断发展的历时性和共时性的缩影。延安文艺不仅受“文艺为工农兵服务”的政策指导,还受到多重话语碰撞融合的影响,具有多质的特点。延安歌剧以现代的艺术形式,与传统文化接壤,不断进行嬗变发展,体现了延安文艺在多重因素下促成的“历史多质性”特点。
As the most typical practical form of Chinese popular literature and art in the 20th century,Yan’an Literature and art adheres to the logic of the May 4th cultural movement and shows the cultural relationship between "tradition" and "Modernity". At the same time, Yan’an Literature and art continued to carry out the localization of foreign culture in the morphological reconstruction of accepting Western-style "opera". Yan’an opera is the cultural and artistic form of the climax of Yan’an literary and artistic movement.It is the evolution process from the west to the continuous localization, which is the epitome of the diachronic and synchronic development of Yan’an Literature and art itself. The connotation of Yan’an opera condenses the "historical Multiplicity" of Yan’an Literature and art under multiple factors.
作者
刘昱敏
孔岩
LIU Yu-min;KONG Yan(School of Literature,Journalism and Communication,Yan'an University,Yan'an 716000,China)
出处
《海南开放大学学报》
2022年第1期32-38,共7页
Journal of Hainan Open University
关键词
延安歌剧
本土化
民间话语
“历史多质性”
Yan’an opera
localization
folk discourse
“Historical multiplicity”
