摘要
民族主义文学和左翼大众文学这两种文艺类型是1930年代国共两党不同的文艺政策的产物,他们分别诉诸文学的民族性和阶级性,但是在具体的文学创作中又不免存在相互涵盖的因素,这与30年代中国特殊的社会和民族危机形势有关,同时也是检验双方各自理论阐释的难题。民族主义文艺诉诸民族主义的背后难掩阶级对立的事实,而左翼文艺坚持阶级的立场,却难免否定了民族情感的正当性。在创作上,双方也共享了新兴文学的某些共同性。
The Nationalist Literature and Leftwing Literature originated from two different kinds of literary and art policies of the Kuomintang and the Communist Party.They respectively resort to the national and class nature of literature,but there are some factors that can be covered by each other in their specific literary creation which was related to the special social and national crisis of China in the 1930 s.At the same time,it is also difficult to inspect the two parties' theoretical interpretation.Nationalist literature appeals to nationalism,but it is hard to conceal the fact of class antagonism,while the left wing literature and art adheres to the position of the class,but it is inevitable to deny the legitimacy of the national sentiment.In literary creative practice,the two sides also shared some of the common natures of the emerging literature.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2016年第6期32-44,共13页
Journal of Tsinghua University(Philosophy and Social Sciences)
