摘要
朱熹刻本具有极强的艺术性,对其进行字体活化再造,使其延伸出更多的艺术表现形式。文章以当涂郡斋刻本为蓝本,确定了造字原则和方式,复原字体笔画丢失补漏、刀工失真修正,利用算法提取字样,将字样版式组合实验,不断优化,形成艺术作品。得到现代版式审美需求的新字形,同时尽量呈现宋刻本的原汁原味,整体感观上更加古朴渊雅。该方法可以用于古籍字体研究和实践应用研究提供参考。
With strong artistry, Zhu Xi’s block-printed fonts should be activated and recreated to extend more forms of artistic expression. Based on the Dangtujunzhai block-printed edition, this paper determines the principles and methods of font making, restores the missing strokes, mends the omissions and corrects the distortion of knife work, extracts the fonts by using the algorithm, and combines the layout of the fonts to form a work of art. Aiming to create a new glyph in line with the aesthetic needs of modern layout, the authors try to present the original flavor of the Song Dynasty edition in a simpler and more elegant approach, which can also be used for reference in the research and practical application of ancient book font.
出处
《包装与设计》
2021年第6期142-143,共2页
Package & Design
基金
广东省哲学社会科学规划2019年度项目(GD19CYS09)
2021广东省普通高校特色创新类项目(2021WTSCX317)
广州市哲学社会科学发展“十三五”规划2020年度课题(2020GZYB86)
2020广州城建职业学院人文社科课题(2020Ysk09)。
