摘要
两汉鼓吹乐是中国音乐史研究中的一个重要论题,当代学者对其起源、分类及人文属性等问题均有较为丰富的研究成果。关于它的起源,学者们根据对不同文献的梳理和解读,得出了"北方民族音乐"论、"先秦音乐+少数民族音乐"论和"中国本土音乐"论等多种不同观点;关于它的分类,学界观点尚未达成一致,但"黄门鼓吹""横吹""骑吹"和"短箫铙歌"四分法一直以来影响较大;关于它的人文属性,学者们也分别从鼓吹乐与社会的关系、鼓吹乐的政治功能及乐人身份等角度展开了多元解读。但在鼓吹乐的起源方面还存在对相关文献解读主观化、随意性等问题,在其分类上还存在因文献转抄引发的错误理解及缺乏辨伪意识等问题,这些问题需要我们借助政治史、图像资料及中国传统礼乐制度等进行综合阐释。
The Guchui music in Han Dynasty is an important topic in the study of Chinese music history. Contemporary scholars have rich research achievements on its origin, classification and humanistic attributes. About its origin, according to the sorting and interpretation of different documents, scholars have come to a variety of different views, such as"northern folk music"theory,"pre-Qin music plus minority music"theory and"Chinese native music"theory. As for its classification, academic opinions have not reached an agreement, but the four divisions of Huangmen Chui, Hengdui, Qizhui and Duan xiao nao ge have been influential. As for its humanistic attributes, scholars have also carried out multiple interpretations from the perspectives of the relationship between Chui Music and society,the political function of Chui music and the identity of musicians. However, in terms of the origin of Guchui music, the interpretation of relevant literature is subjective and arbitrary, and in terms of classification, the wrong understanding of literature transfer and lack of awareness of discrimination, etc., need to make a comprehensive interpretation with the help of political history, image data and traditional Chinese rites and music system.
作者
赵倩
Zhao Qian(Quyi Research Institute,Chinese National Academy of Arts,Beijing 100012,China)
出处
《衡阳师范学院学报》
2022年第1期110-115,共6页
Journal of Hengyang Normal University
基金
2020年度国家哲学社会科学重大项目“新中国文艺院团发展史研究”(20ZD06)。
关键词
两汉鼓吹乐
起源
分类
人文属性
路径
Guchui music in Han Dynasty
origin
classification
humanistic attributes
path
