摘要
英国女作家安吉拉·卡特的后现代写作实践与法国哲学家德勒兹的"生成论"有着相同的旨趣:消解"性"话语形成的菲勒斯逻各斯中心主义以最大限度实现男女平等。作为德勒兹哲学思想和文学批评中至关重要的概念,"生成"强调不断地生成差异,体现在卡特的后现代写作实践中便是解构二元对立的女性书写。"生成女人"是德勒兹在"生成论"的基础上提出的一个后现代女性主体概念,旨在在父权制文化之外树立新的女性主体。卡特在《新夏娃激情》和《马戏团之夜》等后现代小说中构建的欲望化和身体化的生命主体,正是德勒兹"生成女人"的后女性主体。
The postmodern literary practice of British female writer Angela Carter has the same purport as French philosopher Deleuze’s philosophy of becoming, both of which are aimed at dispelling the identity of Phallus logocentrism formed by the discourse of“sex”to maximize gender equality. As a crucial concept in Deleuze’s literary criticism and philosophical thoughts, becoming highlights generation of differences, in accordance with the feminine writing which deconstructs binary oppositions reflected in Carte’s postmodern literary practice. Becoming-woman is a concept of postmodern female subject proposed by Deleuze on the basis of the philosophy of becoming, aiming to establish a new female subject beyond patriarchal culture. The female subject constructed in Carter’s postmodern novels: The Passion of New Eve and Nights at the Circus are desire-oriented and body-oriented life subject, which is the post-female subject of Deleuze’s philosophy of becoming-woman.
作者
徐明莺
黄梦琴
Xu Mingying;Huang Mengqin(College of Foreign Languages,Dalian University of Technology,Dalian Liaoning 116024;College of Foreign Languages,Culture and International Exchange,Zhejiang University,Hangzhou Zhejiang 310058)
出处
《沈阳师范大学学报（社会科学版）》
2022年第1期82-88,共7页
Journal of Shenyang Normal University(Social Science Edition)
基金
教育部人文社会科学研究规划基金项目(19YJA752021)。
关键词
女性主体
生成
身体
欲望
female subject
becoming
body
desire
