摘要
缠花是我国民间女工工艺,由刺绣发展而来,有着独特的人文艺术魅力,主要分布于湖北英山、福建厦门和我国台湾部分地区。通过分析英山缠花、闽南缠花和台湾缠花的纹样特征与艺术价值,运用文化转译的方法,将现代设计语言和传统缠花纹样的特质进行融汇,使传统缠花纹样转化为符合现代审美和具有实用价值的再生设计,从而推动现代设计理念下传统装饰纹样的传承与创新,为缠花的传承注入新的活力。
"Chan-hua" is a folk craft in China. It developed from embroidery and has a unique humanistic charm. It is mainly distributed in Yingshan, Hubei Province, Xiamen, Fujian Province and some areas of Taiwan Province in China. By analyzing the pattern characteristics and artistic value of YingShan "Chan-hua", Minnan "Chan-hua" and Taiwan "Chanhua", the modern design language is integrated with the characteristics of traditional "Chan-hua" patterns by means of cultural translation.The traditional "Chan-hua" will be transformed into a pattern design that conforms to modern aesthetics and has practical value, and cultural creative products adapted to modern situations will be created, so as to promote the inheritance and innovation of traditional decorative patterns under the modern design concept, and inject new vitality into the inheritance of "Chan-hua".
作者
张慧娟
王欣然
汪雅男
ZHANG HUIjuan;WANG XINran;WANG YAnan
出处
《创意设计源》
2021年第6期33-37,共5页
Idea & Design
基金
2016年度湖北省高等学校省级教学研究项目“基于‘荆楚手工艺’的设计类人才培养模式研究与实践”(项目编号:2016464)
2019年度武汉设计工程学院校级科学研究项目“鄂东民间艺术纹饰的审美意象与设计应用研究”(项目编号:K201903)阶段性研究成果。
关键词
缠花
文化转译
重构
纹样设计
Chan-hua
cultural translation
reconstruction
pattern design
