摘要
对明清几类家具的束腰构件进行了深入研究,从符号学角度对束腰构件与家具整体形制之间的关系、束腰构件在古家具中的符号学形式、束腰构件与古家具形制发展的关系三方面进行了探讨。通过图例分析法、归纳法和图像重构法,结合平面构成原理分析得出:①几类家具中束腰构件在结构形态上具有分隔与连接功能;②几类家具装饰发展的根源是基于社会体系产生的多元化装饰形态;③家具符号系统对个体的构件有明确的指向作用。此外深入剖析了局部构件对于家具形态变迁的具象化意义,为完善我国古家具造型与装饰研究体系提供了理论支撑。
In this study,the waist components of several types of furniture in China during the Ming and Qing Dynasties were studied,and the relationship between waist components and the overall shape of furniture,the semiotic form of waist components in antique furniture,and the relationship between waist components and the development of antique furniture shape were discussed from the perspective of semiotics.Through the legend analysis method,induction method and image reconstruction method,combined with the plane composition principle,it was concluded that:The waist components of several types of furniture have the function of separation and connection in the structural form;The development of several types of furniture is derived from the diversified decorative forms generated from the social system;The furniture symbol system has a clear directing effect on individual components.In addition,an in-depth analysis of the concrete significance of the partial components to the changes of furniture forms was made,providing theoretical support for the improvement of China’s antique furniture modeling and decoration research system.
出处
《家具与室内装饰》
北大核心
2021年第12期70-73,共4页
Furniture & Interior Design
基金
2017年湖南省教育厅科研课题(17CO702)。
关键词
符号学
束腰构件
古家具
明清家具
香几
Semiotics
Waist components
Antique furniture
Furniture in the Ming and Qing dynasties
Incense burner table
