摘要
《战狼2》的成功离不开对好莱坞类型片编剧模式的学习借鉴,其从“建置”“对抗”到“结局”的每一环节,都严格遵循三幕剧的编剧原则设置。影片通过叙述中国当代孤胆英雄海外营救同胞的惊心动魄的故事,强力彰显了中国正在崛起的强国气象,这也使其成为国内对好莱坞编剧技法学习借鉴最成功的影片之一,并由此拓宽了主旋律电影的类型化创作领域。不过,该片在编剧方面也存在一些明显的缺陷,如剧情循规蹈矩、缺乏突破创新、无法避免类型片通病,以及非洲叙事存在认知偏见与优越感倾向等。
The success of Wolf Warriors Ⅱ is inseparable from the reference of Hollywood screenwriting mode, and its every link from "building", "confrontation" to "ending" strictly follows the screenwriting principles of three-act play. By narrating the thrilling story of Chinese contemporary lone heroes rescuing their compatriots overseas, the film strongly demonstrates the rising power of China, which also makes it one of the most successful films in China to learn from Hollywood scriptwriting techniques, and thus broadens the genre creation field of Chinese Theme Films. However, there are still some defects in the screenwriting, including the lack of breakthrough and innovation, the inevitable disadvantages of genre films, and the tendency of cognitive bias and superiority in African narrative.
作者
江杰
JIANG Jie(School of Literature and Communication,Huainan Normal University,Huainan Anhui 232001,China)
出处
《湖南工业大学学报（社会科学版）》
2021年第6期52-60,共9页
Journal of Hunan University of Technology(Social Science Edition)
基金
安徽省人文社会科学研究项目“当下军事题材主旋律电影的类型化叙事研究”
淮南师范学院科研重点课题“主旋律电影叙事模式的突破与创新研究”(2019XJZD16)
安徽省教育厅安徽省高等学校质量工程项目线下课程“经典剧本选读”(2020kfkc503)
淮南师范学院校级智慧课堂项目“经典剧本选读”。
关键词
战狼2
好莱坞编剧模式
三幕剧
孤胆英雄
Wolf Warrior Ⅱ
Hollywood screenwriting-mode
three-act play
lone heroes
