摘要
中国灾难电影形式上借鉴了好莱坞融会奇观化视效和意识形态的类型片模式,内容上则以大片理念为基础,逐渐形成了具有强烈主体意识的“中国叙事”。中国叙事的内涵首先在于围绕全球化进程,以美国为他者所建构的政治伦理;其次在于对中国传统文化及当代文化符码的深度表征。
Chinese disaster films have borrowed Hollywood’s genre film mode,blending spectacle visual effects and ideology,while the content is based on blockbuster concepts,gradually forming the“Chinese narrative”with a strong subjective consciousness.The Chinese narrative firstly lies in the political ethics constructed around the process of globalization and the United States as the other;secondly,it lies in the in-depth representation of Chinese traditional culture and contemporary cultural codes.
出处
《文学与文化》
2021年第3期105-113,共9页
Literature and Culture Studies
基金
2018年海南省教育厅重点项目“‘互联网+翻转课堂’混合式人文理论教学模式探索——以《西方文论》嵌入式写作为例”(项目编号:Hnjg2018ZD-14)阶段性成果。
关键词
意识形态
大片
全球化
中国叙事
Ideology
blockbuster
Globalization
Chinese Narrative
