摘要
《哈姆雷特》、《雷雨》等经典话剧有宗教意识、终极关注等多层次的纵深维度,改编成《夜宴》、《黄金甲》等武侠大片之后,仅剩下单向度的欲望狂欢。犬儒主义取消了人文的终极关怀,导致囿于伦理意义上的暴力复仇观。与原作强调理性超越欲望不同的是,武侠大片以快乐主义"破坏"传统,欲望泛滥的现实感包括了在影像之中欲望的恶性膨胀以及影像之外奢侈的浪费主义。而知性层面出现了理智与情感分裂的现象。武侠大片以对情境直接反应的情感代替人生智慧的参与。这是以商业精神重写经典话剧的后现代陷阱,值得我们警惕。
Recent Chinese cinematic adaptations of Hamlet and Thunderstorm can be seen as celebrations of desire, in which cynicism has replaced humanistic concerns leading to a simple ethical vision of revenge. The hedonism of these blockbusters, which sabotage traditional values of their originals, testifies not only to the rampancy of desire on screen but also to overwhelming consumerism off screen. The essay sounds a warning against the trend as is witnessed in these blockbuster adaptations of drama classics to have recourse to sensationalism in a bid to fend off the play of wisdom.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2008年第1期57-64,共8页
Drama:The Journal of the Central Academy of Drama
