摘要
中国思想文化的根本内核都是超出了一切现成的存在状态而又不离世间地生成着,并且因此都具有美学意味,这是一种不离人生世间而又能构成尽性尽命、诗意盎然的澄明之境,儒释道思想莫不深蕴此意。在西方,美学学科的诞生正是理性和感性的结合:在康德那里,美学构成了从自然的人到自由的人的中介;在尼采那里,美是人生形而上的慰藉;对海德格尔来说,正是天地人神的四元世界构成了诗意世界。审美在现代社会作为对现代工具理性的救赎和超越,甚至取代宗教,成为新的精神寄托,由此,中国传统美学在现代社会重新获得了其巨大的精神价值。
What the fundamental core of Chinese thought and culture is on the one hand beyond all existing state of existence, but on the other hand is created in the living world, and therefore the Chinese culture embodies the aesthetic meaning deeply. In west, the birth of aesthetics was the combination of rationality and sensibility. The aesthetics is the intermediary between the natural human being and the free human being to Kant. The aesthetics is the life’s metaphysical comfort to Nietzsche. In modern society, the aesthetics has become a new spiritual sustenance replacing the religion. So, the Chinese traditional aesthetics has reacquired the spiritual value in modern society.
作者
肖朗
Xiao Lang(Department of Philosophy,Southwest University of Political Science and Law,Chongqing,China)
出处
《社会科学论坛》
2021年第6期143-150,共8页
Tribune of Social Sciences
关键词
美
美学
以美育代宗教
beauty
aesthetics
substitute for religion with aesthetic education
