摘要
本文聚焦游戏化电影,探索电影如何将游戏机制引入影像叙事的具体策略。化身操控机制通过呈现玩家对化身的操控与失控,探究了游戏化身认同机制对自我认知的积极与负面作用。循环时空建构机制既呈现了信息积累的晋级学习模式,又展现了信息失序带来的死循环迷局。而游戏规则机制在表现游戏规则建构秩序力量的同时,指出了游戏规则隐蔽的不公。游戏化电影正是通过对游戏机制的自反,完成了对数字化生活、游戏化生存的反思。
This article focuses on the gaming film, exploring how the film adopt video game mechanism into the narrative strategy. In the avatar-control mechanism, the players control and lose control of the avatar, showing the positive and negative effects of the game avatar identity mechanism on self-cognition. In the mechanism of loops of space-time, it not only presents the advanced learning mode of information accumulation, but also shows the puzzle brought by information disorder. In the mechanism of game rules, it not only shows the constructive power of game rules, but also points out the hidden unfairness of game rules. Gaming film is the reflection of digital life and gamified existence through the self-reflection of the gaming mechanism.
出处
《电影艺术》
CSSCI
北大核心
2021年第5期25-31,共7页
Film Art
基金
中国传媒大学中央高校基本科研业务费专项资金资助(项目号:CUC210B026)。
