摘要
“灰姑娘”题材的影视作品因其虚幻性和娱乐性,在女性社会地位仍有待提高、女性意识仍在觉醒之中的中国有着非常大的市场。而法国电影秉承新人文主义的传统,即使在幻想的题材上仍以现实的手法对人性进行思考。该文以法国电影《公主之谜》作为中法文化冲突的一个案例,就不同文化对同一题材的女性形象处理方法进行比较与分析。
Due to illusory and entertaining natures,the Cinderella-themed movies and TV shows are very popular in China,where women’s social status still needs to be improved and female consciousness is still awakening.French movies,adhered to the neo-humanism,don’t give up the chance of reflecting on humanity in a realistic way even in those most fantasy fictions.This article takes the French movie Le Mystère Alexia as a case of conflict between Chinese and French cultures,and try to compare and analyze how the different cultures deal with female roles in stories with similar motif.
作者
黄琰
HUANG Yan(Guangdong University of Foreign Studies,Guangzhou 510420,China)
出处
《广东农工商职业技术学院学报》
2021年第3期14-18,共5页
Journal of Guangdong Agriculture Industry Business Polytechnic
关键词
法国电影
通俗文化
中法文化
女性主义
French movie
popular culture
cultural differences
feminism
