摘要
《召南·驺虞》早期传解之差异是分析《诗》在宗周时期及从宗周官学到孔门仁学转变的典型案例。从安大简《驺虞》来看,此篇之起,或与狩猎纵生及其所喻指的弭兵止杀相关。由《墨子》和《乐记》所载,《驺虞》篇在周初即发生过一次传解的转化,从息"贯革之射"的止杀弭兵诗发展成歌颂众官齐备的颂赞诗。至于解驺虞为嘉瑞仁兽,实际上是多重合力共同作用的结果,《山海经》《尚书大传》《淮南子》等所载之瑞兽故事、《尚书·洪范》《礼记·中庸》和董仲舒的天人相应之说、以及《毛诗》序传自身内在系统性与整齐性要求,等等。《驺虞》篇早期传解分别对应着不同的字用习惯,其传解逻辑之转换同文字形态之变化亦正相关联。
The differences of Shaonan·Zouyu’s early interpretation are the typical case which analyze the use of The Book of Songs in Zhou Dynasty,and the use of the transform form official education in Zhou Dynasty to Confucian education.According to Zouyu in in Book of Songs collected by Anhui University,the creation purpose is related to"releasing the prey while hunting"and"quelling war and stop killing".From the record of Motze and Yueji,at the beginning of the Zhou Dynasty,there was a transformation of interpretation,which developed from the poems that"Quelling war and stop killing"to the"hymn of the officials".As for the explanation of the Jiarui Renshou(the animals that symbolize fortune and prosperity),it is actually the result of multiple combined forces,such as the story of Ruishou(the animals that symbolize fortune and prosperity)recorded in The Classic of Mountains and Seas,Shangshu Dazhuan and Huai Nan Zi,the records in Shangshu·Hongfan and LIji·Zhongyong,the"correspondence between man and heaven"theory by Dong Zhongshu,as well as the internal systematicness and regularity requirements in Mao edition of the book of songs’preface.Shaonan·Zouyu’s early interpretation corresponds to different using habit of Chinese characters in written works,the conversion of interpretation logic is also related to the change of literal form.
出处
《北方论丛》
2021年第5期60-69,共10页
The Northern Forum
基金
国家社会科学基金项目“《尚书》经典化研究”(18BZW035)。
关键词
《驺虞》
《诗经》
传解
安大简
射礼
字用
Shaonan·Zouyu
Book of Songs
Interpretation
Book of Songs collected by Anhui University
Archery
The Use of Chinese Characters in Written Works
