摘要
犍陀罗佛像艺术装饰中的茛苕纹样传播到新疆,被称之为忍冬纹样。新疆地区忍冬纹样直接影响到河西走廊的忍冬纹样。河西走廊忍冬纹样具有传承性,承袭了犍陀罗和龟兹石窟忍冬纹样的造型特征,又独具特色,具有创新意义。忍冬纹是河西走廊石窟出现较早、分布广泛的纹样。河西走廊忍冬纹样在装饰结构上类型多样、丰富多彩。其造型简明自由、风格质朴,从写实到抽象概括,经历了不同时空的变迁。
The acanthus design in Buddhist art of Gandhara was spread to Xinjiang in China,where it was named Rendong Design.The Rendong Design in Hexi Corridor was directly influenced by that in Xinjiang.It adopted style of Rendong Design in Gandhara and Kucha Grotto,which is the evidence of its inheritance.But it also has a unique style,as long as its innovation.The Rendong Design is an early and widely distributed pattern in the caves of Hexi corridor.The decorative structure of acanthus design in Hexi Corridor is various and colorful.From realism to abstract generalization with its free moulding and simple style,Rendong Design has experienced the changes of time and spaces.
作者
靳艳
JIN Yan(School of History and Culture,Northwest University for Nationalities,Lanzhou,Gansu 730030)
出处
《泰山学院学报》
2021年第3期117-122,共6页
Journal of Taishan University
基金
国家社科基金项目“丝绸之路河西走廊的希腊化艺术研究”(14XSS004)阶段性成果。
关键词
河西走廊
忍冬纹样
类型多样
自由简洁
Hexi Corridor
acanthus design
various types
free and simple
