摘要
本文基于皮尔斯符号学提出意象符号论,探究意象符号对现实对象的再现,以及对“存在”“道”“理念”等意义的创造性“再现”,此外基于意象符号再现体物质媒介的自然性与关联性,探究意象符号的“自我再现”。意象符号意义在“自我再现”的媒介物质、现实世界再现对象、创造性“再现”对象等层面来回流动,形成意义动势,营造一个生命气息流转、整一性氛围感知的意境意义空间。通过意象的符号学分析,增强传统美学在当代艺术的阐释效力,为探究当代艺术的中国性问题提供理论借鉴意义。
On the basis ofPiercean semiotics,this project studies images and their representation of real objects and examines the creative representation of meanings such as“existence”,“Dao”and“idea”.In addition,on the basis of the naturalness and relevance of the material media of the image signs,the“self-reproduction”of the image signs appears.The meaning flows back and forth between the media material and thereal-world object,the creative“representation”object.It thus forms a momentum of meaning that creates an artistic conception space in which life flows and the sense of atmosphere is unified.By means of semiotic analysis of images,this study enhances the interpretative effect on traditional aesthetics in contemporary art and providesa theoretical reference for exploration of the Chinese-ness in contemporary art.
出处
《符号与传媒》
2021年第1期140-153,共14页
Signs & Media
基金
国家社科基金重大项目“当代艺术提出的重要美学问题研究”(20&ZD049)阶段性成果。
关键词
意象符号
意境
中国当代艺术
水墨
image
artistic conception
Chinese contemporary art
ink painting
