摘要
中国文化重视“合和”与“集成”。在文体学上,合和与集成主要表现为文体浑和。文体浑和的最高形态是“大成文体”。大成文体是随机浑和与集成所有文体的结果。大成方“全粹”。杜甫向号“集大成”者,这主要体现在文体写作方面。于不同的文体,杜甫写作的“集成性”的程度亦参差。杜诗可谓“集大成”;杜赋可谓“集中成”;杜文可谓“集小成”。杜甫文体写作的“集成”的大方向是对的,但“小成”与“中成”都尚有待于提升至大成境界。
Chinese culture attaches importance to“harmony”and“integration”.In stylistics,harmony and integration are mainly manifested in the style of harmony.The highest form of harmonious style is Dacheng Style.Dacheng Style is the result of random,harmonious and integration of all styles.Dacheng is“perfect”.Du Fu is called“JiDaCheng”,which was mainly reflected in the style of writing.The degree of“integration”of Du Fu's writing was also different in different styles.Du Fu's poems can be described as“JiDaCheng”;Du Fu's fu can be described as“JiZhongCheng”;Du Wen's article can be described as“JiXiaoCheng”.The general direction of“integration”of Du Fu's style writing is right,but“JiXiaoCheng”and“JiZhongCheng”still need to be upgraded to the state of“JiDaCheng”.
作者
王章才
WANG Zhangcai(School of Cultural Communication,Henan University of Economics and Law,Zhengzhou,Henan 450046)
出处
《河北大学学报（哲学社会科学版）》
CSSCI
北大核心
2021年第2期25-32,共8页
Journal of Hebei University(Philosophy and Social Science)
基金
国家社会科学基金项目“中国古代文体浑和与文体演进之关系研究”(16XZW012)。
关键词
杜甫
文体写作
集成性
集大成
集中成
集小成
Du Fu
stylistic writing
integration
JiDaCheng
JiZhongCheng
JiXiaoCheng
