摘要
门歌是流行于皖中、皖东、皖西地区的一种歌唱形式,即兴演唱的小段为民歌,有固定情节的坐唱为曲艺,因卖艺人沿门乞讨时演唱而得名,2006年,门歌入选安徽省第一批非物质文化遗产代表作名录。作为区域音乐类非遗的门歌,在漫长的历史中发展、衍变、传承,彰显其独特艺术魅力,但在社会现代化发展的当下,门歌在相当长的时间未能有效地与时俱进,出现传承人断层的迹象。鉴于此,以门歌传承人殷光兰口述史为个案,拟从门歌历史渊源与音乐特色;山王村俱乐部与门歌结缘;门歌创作和表演的深刻记忆;门歌歌集的出版与传承保护4个方面探研,试图挖掘门歌传承人殷光兰生命历程的历史细节。
Door Song is a popular form of singing in the middle,east and west of Anhui.Improvisational singing can be taken as the folk song,while seated singing with fixed plots as a folk art.Door Song was included in the first representative works of intangible cultural heritage in Anhui Province in 2006.As a regional music genre,it has developed,evolved and got inherited in the long history,demonstrating its unique artistic charm.However,at the present time of social modernization,it has not effectively kept pace with the time for quite a long time with signs of a succession gap.In view of this,the paper explores the historical details of the life course of the inheritor of the Door Song by taking the oral history of Yin Guanglan,as a case to study its historical origin and musical characteristics,its association with Shanwang Village Club,its creation and performance so that the urgency and protection strategy are discussed.
作者
陈晓
CHEN Xiao(School of Music,Hefei Normal University,Hefei 230601,China)
出处
《合肥学院学报（综合版）》
2021年第1期40-43,共4页
Journal of Hefei University：Comprehensive ED
基金
2019年安徽省社会科学创新发展研究课题攻关项目“安徽民歌传承人口述史料采集整理与数据库建设研究”(2019CX054)
2020年教育部人文社会科学研究项目“长江中下游地区滩簧腔系剧种的文化生态与传播路径研究”(20YJA760007)
2020年安徽省高等学校人文社会科学研究项目“安徽民歌数据库及其文化生态圈的构建”(SK2020A)资助。
关键词
殷光兰
非物质文化遗产
门歌
口述史
Yin Guanglan
intangible cultural heritage
Door Song
oral history
