摘要
“假作真时假亦真”是对戏剧表演艺术演绎形式的真实写照。“真实”与“虚假”是戏剧表演艺术之中核心的问题,二者相互对立,却又相互依存统一。如果没有“虚假”便不存在“真实”,就没有了“真实”,戏剧表演艺术的“虚假”也就没有了意义。“虚假”是戏剧创作和表演的基本前提,任何戏剧艺术都是建立在虚构和假定的基础之上的。“真实”是所有戏剧艺术创作和表演过程的最高追求目标。对于“真实”与“虚假”之间关系的思辨,可以说正是戏剧表演艺术实践中对于自我和超我把握和拿捏的关键。
The statement that“falsehood can be true when it is considered true”is the real portrayal for drama performance.“Truth”and“falsehood”are two key issues in drama performing arts,and they are mutually contradictory and independently united.Since there is no“truth”whenever there is no“falsehood”,“falsehood”doesn’t make sense either in the drama performance art.It can be said to that“falsehood”is the basic premise of drama creation and performance,any dramatic art is based on fiction and assumption,and“truth”is the highest pursuing goal of all the creation and performance of drama art.The speculation on the relationship between“truth”and“falsehood”can be said to be the key to the manipulation of ego and superego in the practice of drama performance art.
作者
胡洋
Hu Yang(School of Film and Television Media,Anhui Wonder University of Information Engineering,Hefei 230001,China)
出处
《黑河学院学报》
2021年第2期177-179,共3页
Journal of Heihe University
关键词
戏剧表演
表演实践
真实性
假定性
theatrical performance
performing practice
authenticity
supposition
