摘要
文章试图以德国新表现主义艺术家安塞姆·基弗的作品与犹太诗人保罗·策兰的诗歌为例,通过两者间的互文关系探寻基弗艺术作品视觉图像背后隐含的文学象征意义,从而揭示策兰《死亡赋格》文本中与民族历史、战争创伤、集体记忆相关的多重文化隐喻,以基弗作品视觉图像与策兰赋格文本意涵的相互映射来重启战后德国艺术与诗歌之间的互文性研究。
Taking the works of Anselm Kiefer, a German neo-expressionist artist, and the poems of the Jewish poet Paul Celan as examples, this paper attempts to explore the implied literary symbolic meaning behind the visual images of Kiefer’s works of art through the intertextual relationship between them. Thus, the multiple cultural metaphors related to national history, war trauma and collective memory in Celan’s work Todesfuge are revealed. The mutual mapping between the visual images of Kiefer’s works and Celan Fugue’s text is used to restart the study of intertextuality between post-war German art and poetry.
作者
张润
Zhang Run(Sculpture and Public Art College,China Academy of Art,Hangzhou 310002,China)
基金
2019年度中国美术学院重点高校建设省部级重大课题培育项目“空间意识与雕塑的现代转向”课题成果。
关键词
视觉图像
诗歌文本
互文性
visual images
poetic text
intertextuality
