摘要
在1940年举办的"一九四一年文学趋向的展望"等座谈会上,文协作家对战时的一些文艺创作及其理念进行了讨论和反思。其一,文艺自身的艺术追求与作为战时宣传武器的有限性获得了一定的共识。其二,经过文艺创作的实践,抗战文艺的语言形式也经历了"欧化——民间化——中西融合"的改造过程。此外,新文学作家力图在维护文艺本真追求的基础上对接民众需求,拓展文本篇幅,加强叙事性,扬弃传统文体形式等。从语言到文体,从作家创作观念到文艺价值,都体现出大后方文学观念在1940年前后发生了一定程度的演变。
The writers of All-China Anti-Enemy Association of Literary and Art Circles discussed and reflected on some literary and artistic creation and ideas in the wartime at the symposiums,such as"The Prospect of Literary Trend in 1941"held in 1940.Firstly,the artistic pursuit of literature and art and its limitation as a propaganda weapon during the war had reached a certain consensus.Secondly,the language form of Anti-Japanese War literature and art had also gone through the transformation process of"Europeanization-Popularization-Integration of Chinese and western styles"by means of the practice of literary creation.In addition,new literature writers strived to meet the needs of the common people on the basis of maintaining the true pursuit of literature and art,expanding the length of the text,strengthening the narrative,developing and discarding the traditional style forms,etc.From language to style,from writer’s idea of creation to the literature and art value,it reflected that the concept of the rear area literature had evolved to a certain extent around 1940.
作者
蓝善康
LAN Shankang(School of Chinese Language and Literature,Guangxi Normal University,Guilin,Guangxi 541004;Institute of Guangxi Studies,University Key Research Base of Humanities and Social Sciences of Guangxi,Guilin,Guangxi 541004)
出处
《中国文学研究》
CSSCI
北大核心
2021年第1期152-160,共9页
Research of Chinese Literature
基金
国家社会科学基金一般项目“抗战时期桂林文化城文学编年史”(19BZW127)。
关键词
座谈会
大后方
文学观念
变迁
抗战
symposium
the Rear Area
Literary Concepts
changes
the War of Resistance Against Japan
