摘要
在数字"媒介场域"中,审美主体演变成人机化合的新主体,审美客体所指向的"赛博空间"实际上是"拟像"集结而成的"仿真"世界,传统美学概念里精英与大众、现实与虚拟、崇高与娱乐等二元对立模式被打破,审美旨趣由传统精英式的、指涉现实的、膜拜崇高的格调追求,转而趋于个体意义上的大众参与,基于技术逻辑的智能虚拟,以及消解深刻的浅层娱乐。面对融合式格局的"数字化生存"空间,美学何以在"景观社会"把握数字化审美的实践趋向,进行理论转向成为了亟待研究的重要课题。
In the digital"media field",the aesthetic subjects evolve into the new subjects of man-machine combination;the"cyberspace"pointed by the aesthetic objects is actually the"simulation"world assembled by"simulacra".The binary opposition pattern in traditional aesthetic concepts such as the elite and the masses,reality and virtualization,sublime and entertainment,have been broken.The aesthetic purport has shifted from the pursuit of traditional style to the public participation in the individual sense,the intelligent virtualization based on technical logic and the superficial entertainment.Facing the"digitalized being"space in the context of media convergence,how to grasp the trends of digital aesthetic practice and make theoretical transformation in the"Society of the Spectacle"has become an urgent topic to be discussed.
作者
王青
何志钧
WANG Qing;HE Zhi-jun(Department of Literature,Graduate School of Chinese Academy of Social Sciences,Beijing,102488 China;School of Humanities,Nanchang University,Nanchang,330000 China)
出处
《河北民族师范学院学报》
2021年第1期85-89,共5页
Journal of Hebei Normal University For Nationalities
基金
2019年国家社会科学基金项目“数字美学理论话语建构研究”(19BZW027)
2019年山东省社会科学规划研究项目优势学科项目“数字化审美与数字美学发展研究”(19BYSJ64)。
关键词
数字美学
数字化审美实践
理论建构
digital aesthetics
digital aesthetic practice
theoretical construction
