摘要
《雍熙乐府》是元明时期极具口语价值的曲词集代表,其间夹杂的嵌数四字格数量可观。经考察,嵌数四字格的数位分布与语义表述呈现出一定规律:从结构形式来看,有数词嵌入位置的不同,据此可分为奇数位嵌数四字格、偶数位嵌数四字格两种基本格式;从语义内涵来看,嵌数四字格中数词不仅表数目义,还表泛指义、虚指义、指代义。数词语义经由数目义裂变愈加虚化,如“三”既可言其多,亦可示其少;“四”具有广数意义。同时嵌数四字格的语义凝结和承载了中国古代极为重要的文化象征内涵。
Yong Xi Yue Fu is a representative of a collection of verses with great colloquial value during the Yuan and Ming Dynasties with a considerable number of four-character insets in between.With investigation,it is found that the digit distribution and semantic expression of the inlaid four-character lattices indicate certain rules.In the structural form,there are differences in the embedding positions of numerals,which can be divided into odd-inlaid four-character lattices and even-inlaid four-character lattices.The numerals in the embedded number four-character structure not only express the meaning of the number,but also express the general meaning,virtual meaning and referential meaning.The meaning of numerals becomes more and more blurred through the fission of the meaning of numerals,such as“three”can be said to be more or less and“four”has a broad meaning.At the same time,the semantics of the embedded four-icharacter structure is condensed and carries the extremely important cultural symbolic connotation of ancient China.
作者
晁孟杰
Chao Mengjie(School of Chinese Language and Literature,Central China Normal University,Wuhan,Hubei 430079,China)
出处
《湖北工程学院学报》
2021年第1期58-63,共6页
Journal of Hubei Engineering University
关键词
嵌数四字格
数词
虚化
语义
the four-character inlaid numbers
numerals
blurring
semantics
