摘要
风后是上古神话中的良臣名将。作为一位兼具人性与神性的神格形象,从上古时期发展至今,风后生成演变的轨迹反映了先民由万物有灵的原始观念到关注现实的理性思维的转变。从典籍文献、口承故事和地域空间三个维度考察民众对风后神话传说的文化记忆,其建构过程是在神话文本和物化实体双重印证的基础上,经历了由风神信仰到贤相崇拜的记忆延展。通过对风后神话传说的溯源式研究,有助于我们更好地理解上古神话的生成逻辑以及其背后蕴藏的原始文化心理,进而为当代构建风后文化的保护体系提供借鉴。
Fenghou is a excellent generals and ministers in ancient mythology.As a divine image that combines humanity and divinity,it has developed from ancient times to the present.Its evolutionary path reflects the ancestors’original concept of animism to rational thinking.From the three dimensions of classics,oral stories and geographical space,the people’s cultural memory of Fenghou’s myths and legends is examined.The construction process is based on the double confirmation of mythological texts and materialized entities.It has experienced the memory from the belief in wind god to the worship of the virtuous.Through the tracing research of Fenghou myths and legends,it will help us better understand the generation logic of ancient myths and the primitive cultural psychology behind them,and provide reference for the contemporary construction of the protection system of Fenghou culture.
作者
段友文
王子仙
Duan Youwen;Wang Zixian
出处
《中原文化研究》
2021年第1期101-108,共8页
The Central Plains Culture Research
基金
国家社会科学基金重大项目“山陕豫民间文化资源谱系与创新性发展的实证研究”(19ZDA185)阶段性成果。
关键词
晋豫
风后神话传说
文化记忆
历史嬗变
Shanxi and Henan
Fenghou mythology
cultural memory
historical change
