摘要
通过对《朝元图》创作背景、描绘内容、空间分布、神像职能划分的分析,及对场景中描绘的家具按照宝座、案桌、华盖,障扇等品类进行逐一解析,以此了解元代的道教祭祀科仪斋醮,和家具在道教祭祀中的功能,也间接反映了元代家具风格及道教文化对中国家具的影响。研究结果表明道教祭祀活动中家具的使用有着鲜明的等级划分,这些家具在满足本职功能的情况下,具有鲜明的道教属性。
The“Chao Yuan Tu”is a mural about Taoist immortals paying homage to the audience,representing the highest level of murals in the Yuan Dynasty.The study of“Chao Yuan Tu”is a hot topic in the art and cultural circles.Based on the analysis of the creation background,description content,spatial distribution and function division of gods in“Chao Yuan Tu”,the furniture depicted in the scene was analyzed one by one according to the categories of throne,table,canopy and barrier fan with an aim to understand the Taoist sacrificial rites in Yuan Dynasty and the function of furniture in Taoist sacrificial rites.Because these furniture reflected the influence of Yuan Dynasty furniture style and Taoism culture on Chinese furniture,the results show that the use of furniture in the sacrificial activities of Taoism has a distinct hierarchy,which has a distinct Taoist attribute when it meets its own function.This paper will provide readers with vivid materials to understand the Taoist sacrificial furniture of Yuan Dynasty.
作者
顾子竹
屠心微
刘新有
GU Zizhu;TU Xinwei;LIU Xinyou(College of Furnishings and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)
出处
《家具》
2020年第6期44-47,共4页
Furniture
基金
国家艺术基金项目(2010-A-05-391-1098)
南京林业大学2018人才科研启动基金(163104127)。
关键词
《朝元图》
永乐宫
道教
家具
Chao Yuan Tu
Yongle palace
Taoism
furniture
