摘要
徐振民创作的钢琴曲《登幽州台歌》,以中西合璧的创作手法使作品既显现出鲜明的现代音响之感,又透射出中国传统文人音乐的一些特色。在此曲的演奏诠释中,仅通过乐谱的解析,难以凸显作品中涵蕴的文人音乐意味,还应从传统文人音乐的演奏观念中,探寻钢琴曲演奏的审美准则,尤其注重把握音色、节奏、速度等元素在演奏中所发挥的隐性结构作用,才能在演奏中把握音乐的线性思维特征,使钢琴曲的音乐意境契合诗词所营构的艺术意境,从而在作品的二度创作中表达出作品的文人音乐意蕴。
Xu Zhenmin’s piano piece“Deng Youzhoutai Ge”(“Ode to Ascending Youzhou’s Terrace”),having incorporated Chinese and Western creative techniques,has not only showed a distinct sense of modern sounds,but also reflected some features of traditional Chinese literati music.In the performance interpretation of this piece,it is difficult to highlight its literati musical flavor only through the analysis of music scores.It should also explore the aesthetic criteria of piano music performance from the traditional literati music performance concept,with particular attention given to the hidden structural function of timbre,rhythm,speed and other elements in performance.Only in this way can it grasp the linear thinking feature of the intoning music in the work during performance.In addition,through total absorption in the artistic conception of poems,the musical artistic conception of the piano piece fits the artistic conception constructed by the poem,thus expressing the literati musical flavor of the work in its second-time creation.
作者
张祎
王爱国
Zhang Yi;Wang Aiguo(School of Music Suzhou University of Science and Technology,Suzhou Jiangsu,215009)
出处
《内蒙古艺术学院学报》
2020年第4期144-150,共7页
Journal of Inner Mongolia Arts University
基金
2016年度国家社科基金艺术学项目一般项目“中国古代琴论经典文本中的音乐表演观念阐释及当代意义研究”(项目编号:16BD057)的阶段性成果
2012年江苏省社会科学基金一般项目“古琴艺术在中国钢琴艺术实践中的借鉴价值研究”(项目编号:12YSB005)的阶段性成果
2019年江苏省研究生实践创新计划“‘琴’学表演观念在钢琴表演艺术中的借鉴价值个案研究”[项目编号:SJCX19_0827]的阶段性成果。
关键词
徐振民
《登幽州台歌》
传统演奏观念
音色
意境
Xu Zhenmin
“Deng Youzhoutai Ge”(“Ode to Ascending Youzhou’s Terrace”)
Traditional performance concept
Timbre
Artistic conception
