摘要
消亡民族音乐史是中国民族音乐史不可遗缺的组成部分。契丹-辽乐舞源自唐五代,对辽全面接受中原文化起到了推动作用。《中国古代契丹-辽音乐史料图文集》、《中国古代契丹-辽音乐文化考察与研究》两本著作中,著者展示了在散布于辽、吉、内蒙、冀、陕、京、津等地遗存的契丹-辽文物中搜求到的370张音乐文物图片,具有极高的学术价值;对契丹-辽的乐器发展进行了细致研究,考察研究了拍板、唢呐、琵琶、三弦、奚琴等乐器,从中可以窥探各民族音乐形成发展之端倪;对契丹-辽锨琴及琴谱、琴歌提出讨论,推进了此领域研究的进展。本文在点赞两本著作的同时,其意也在于希望多有道合者共同致力于对消亡民族音乐的研究。
The extinction of national music history is an indispensable part of Chinese national music history. The music and dance of Khitan-Liao is originated from the Tang and The Five Dynasties, which promoted the Liaos to fully accept the central Plains culture.The author of Ancient Chinese Khitan--Collection of Historical Records of Liao Music, Ancient Chinese Khitan--Investigation and Study of Liao Music Culture found 370 pictures of music relics from The Khitan--Liao relics scattered in Liaoning, Jilin, Inner Mongolia, Hebei, Shaanxi, Beijing and Tianjin, which are of high academic value. The development of the Musical Instruments of the Khitan-Liao dynasties was studied in detail,including Paiban, Suona, Pipa, Sanxian and Haeqin, from which we can see the formation and development of various ethnic music. The research progress in this field is advanced by discussing the Khitan-Liao Xianqin, the musical score and the musical songs. In addition to the two books, this paper also hopes to share a common interest in the research on the extinction of folk music.
出处
《乐府新声（沈阳音乐学院学报）》
2020年第4期76-86,共11页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
消亡民族音乐史研究
古代契丹-辽
文献
乐器
New Progress in the study of the History of Extinct Ethnic Music
Liao Dynasty
Photo collection
investigation and research
