摘要
作为一种设计方法,“大地舞台”聚焦于废弃油田景观的规划设计与功能重构。本文所介绍的项目以此方法命名,探讨了废弃工业用地修复和再利用的迫切需求与机遇,以在未来几十年间—乃至工业用地达到预期使用年限后—不断发掘土地的开发潜力,制定相应的预景,并在设计过程中保留场地和景观曾遭受破坏的痕迹。在技术不断发展、自然资源危机日益加剧的背景下,本文回答了以下问题:1)生产性景观的“一手保护,一手重建”意味着什么?2)如何描绘一个不断被机械重塑的地平面,以及随之变化的人类与非人类活动区域的边界?3)一片不断自我消解和重建的场地是什么样?该项目采用动态设计方法提出了2025~2080年的若干预景设计,使场地能够根据不断变化的使用者需求和利益取向持续发展,回应气候变化和资源枯竭危机,为废弃景观的改造和复兴提供原型参考。
Earth Choreographer is a design methodology that focuses on choreographing,scoring,and de-territorializing the landscape of an obsolete oil field.The project introduced in this article,titled Earth Choreographer,explores the imperatives and opportunities in remediation and repurposing of obsolete industrial sites,aiming to continuously investigate the potential of the land and possible scenarios over decades—even when the intended life cycle of the industrial site is over.It presents a design process that recognizes the ruination of the ground and the landscape.By acknowledging the evolving technologies and ever-increasing preoccupation with natural resources,it answers the following questions:1)What happens when a productive landscape is sought to be both partially preserved and recreated?2)How to represent a ground plane that is being constantly reconfigured by machines with ever-changing boundaries of spaces for human and nonhuman occupation?And 3)what does a site that constantly erases and reconstructs itself look like?With several scenarios from 2025 to 2080,this project acts as a prototype for inhabiting obsolete landscapes by addressing climate change and depletion of resources.Its dynamic design methodology allows the site to constantly evolve and change over time based on the needs and interests of its occupiers.
作者
安娜·科尔尼瓦
厄尔玛克·图兰里
Anna KORNEEVA;Irmak TURANLI(School of Architecture,Syracuse University)
出处
《景观设计学（中英文）》
CSCD
2020年第4期164-173,共10页
Landscape Architecture Frontiers
关键词
石油开采
废弃景观
修复
再利用
原型
夯土
Oil Extraction
Obsolete Landscape
Remediation
Repurposing
Prototype
Rammed Earth
