摘要
20世纪50年代中国电影进行了对上海的“再造”过程。50年代初期和中后期,中国电影对于上海的建构经历了转变。如果说50年代初期,中国电影曾尝试规避对上海都市进行直接的视觉呈现,以此服务于工业城市的崛起。那么50年代中期,中国电影完成了另一次上海的再造。这次再造过程极大凸显了老上海的都市文化,将新上海建构为一个不断受到老上海扰乱的生产性城市。因此,我们似乎有必要与都市现代性研究的主流观点进行商榷,这些观点认为,新中国压抑了上海都市现代性,成为梦魇。但事实上,这种包含内在博弈的上海正是新中国成功的建构物,通过这种方式,彼时的现实矛盾得到有效疏解,也为80年代以后上海的再度崛起提供了意料之外的合法性。
In the 1950s,Chinese movies underwent a process of“rebuilding Shanghai”.In the early and middle 1950s,the construction of Shanghai by Chinese films experienced a transformation process.In the early 1950s,Chinese movies tried to avoid the direct visual presentation of Shanghai s cities in order to serve the rise of industrial cities.Then in the mid-1950s,Chinese movies completed another rebuilding of Shanghai.This reconstruction process highlights the urban culture of the old Shanghai and constructs the new Shanghai as a productive city constantly disturbed by the old Shanghai.In this sense,we need to discuss with the mainstream viewpoints of urban modernity research.These viewpoints hold that Shanghai s urban modernity has been suppressed by New China,and this suppressed modernity constantly disturbs New China and becomes a nightmare.But in fact,this kind of Shanghai,which contains internal game,is just the successful construct of New China.In this way,the real contradictions at that time were effectively solved,but it also provided unexpected legitimacy for the re-emergence of Shanghai after the 1980s.
出处
《文化研究》
2019年第4期114-129,共16页
Cultural Studies
基金
国家社科基金艺术学青年项目“跨文化交流背景下的‘十七年电影’研究”(12CC078)的阶段性成果。
关键词
新上海
视觉呈现
国家与地方
生产性城市
New Shanghai
Visual Representation
Nation-State/Locality
Productive City
