摘要
在学界对“第三代诗”与西方思潮关系的描述中,罗兰·巴特是一个符号性的指称。虽然罗兰·巴特的“零度写作”对“第三代诗”构成了启示,但总的来看,“第三代诗”对罗兰·巴特的借鉴又是有限的。而从平行研究的角度可以看到,“第三代诗”与罗兰·巴特在语言的命名和实践上存在着一定的相似和分野。“第三代诗”对罗兰·巴特“零度写作”的借鉴重在反叛,而非创造一种新的语言方式。随着“第三代诗”的发展,“文本的快感”作为一种语言方式在“第三代诗”那里得到了充分的实践,不过,与罗兰·巴特的这一概念对身体享乐主义的强调不同,“第三代”诗人在享受语言创造的快乐的同时,也充满了困惑和焦灼。在走出结构主义的封闭语言后,当代诗人呼唤的是具有主体性的“身体”。
In the academic description of the relationship between“the third generation poetry”and Western thought,Roland Barth is a symbolic reference.Although Roland Barthes’s“Zero Writing”has inspired the beginning of“the third generation poetry”,on the whole,the reference of“the third generation poetry”to Roland Barthes is limited.From the perspective of parallel research,we can see that there are some similarities and differences between“the third generation poetry”and Roland Barthes in language opinion and practice.“The third generation poetry”borrows from Roland Barthes’s“Zero Writing”in order to rebel rather than to create a new way of language.Along with the development of“the third generation poetry”,“the pleasure of text”as a way of language in“the third generation poetry”to get the full practice,however,with the concept of Roland barthes’s emphasis on body hedonism,“the third generation poetry”enjoy language creation and happy at the same time,also is full of confusion and anxiety.After stepping out of the closed language of structuralism,contemporary poets call for the body with subjectivity.
出处
《学术月刊》
CSSCI
北大核心
2020年第10期130-140,共11页
Academic Monthly
基金
国家社会科学基金一般项目“中国新诗的‘身体’现代性研究”(14BZW126)的阶段性成果
关键词
“第三代诗”
罗兰·巴特
身体
语言
主体
“the third generation poetry”
Roland Barthes
“the pleasure of text”
body
language
