摘要
共命鸟意象随佛教东传进入中原,其在世俗化、本土化过程中,保留最初佛教中的“恶友”形象、吉祥乐鸟形象的同时,逐渐衍生出与同生共命意近的象征男女恋情或夫妻深情之意象、相互依存血缘亲情之意象。对诗赋中共命鸟形象进行研究,并与比翼鸟形象内涵进行对比,揭示共命鸟形象在发展变化中的固化与变异特点,亦可管窥外来形象在本土化过程中的坚守与妥协。
The image of Jivajivaka entered the Central Plain along with Buddhism's eastward spread.In the process of secularization and localization,it retained the original image of"evil friend"and auspicious and happy bird in Buddhism.Meanwhile,it gradually derived the image of male and female love as similar as the image of living and dying together or deep love between husband and wife,as well as the image of interdependent blood relationship.This paper studies the image of the Jivajivaka in poetry and Fu,and compares it with that of the legendary bird flying in pairs,so as to reveal the fixed opinion and changeable characteristics of the image of the Jivajivaka in the development and change,as well as the persistence and compromise of foreign images in the process of localiza⁃tion.
作者
马银川
MA Yin-chuan(School of Literature,Shandong University,Ji’nan,Shandong 250100)
出处
《泰山学院学报》
2020年第5期50-57,共8页
Journal of Taishan University
关键词
共命鸟
比翼鸟
诗赋
固化
变异
Jivajivaka
legendary bird flying in pairs
Poem and Fu
fixed opinions
changeability
