摘要
迦陵频伽相传是一种生长在喜马拉雅山雪域的神鸟,能发出美妙之音,若天若人。其最早见于佛教典籍,后成为佛教文化中之乐神。随着佛教北传,包括迦陵频伽等一批佛教神祇在内的造型器物和纹样,亦融合于华夏大地的宗教艺术中,且一路北上至欧亚草原东端的蒙古高原,在中国北方草原诸游牧民族的宗教艺术中,落地生根。但其形象的本身意义,则在传承发展的过程中多有变化。
As legend told that Kalavinka was a divine bird, who can make a beautiful voice as a magnificent singer, grew in the Himalayan snow area. It was first found in Buddhist scriptures and later became the god of music in Buddhist culture. With the northward propagation of Buddhism, the objects and patterns including Kalavinka and a number of Buddhist deities,were integrated into Chinese religious art; went all the way north to Mongolian plateau in the eastern end of the Eurasian Steppe, and took root in nomadic religious arts in grassland in northern China. But the significance of the image itself would make some changes in the process of inheritance anddevelopment.
出处
《艺术探索》
2013年第5期6-15,4,共10页
Arts Exploration
关键词
迦陵频伽
佛教
造型艺术
意义
Kalavinka
Buddhism
plasticarts
significance
