摘要
本文在大家可观察到德都蒙古人的口头歌谣的表演事实为基础,打算建立一种口头歌谣生成语法理论。我们这首歌与这首歌之间程式系统的转换现象入手,用公理化的符号体系推导出,口头歌谣的生成结构理论的基本纲领。将这种理论结合口头歌谣的结构主义歌谣构件分析与口头程式分析的基础上,统一解释每一次口头表演来完成的(某族群的)所有这首歌之生成结构。
This article is based on the fact that we observed from the performance of Dede Mongolian oral ballad.We aim to establish the oral ballads based a generative grammar theory.We start with the transformation phenomenon of the program system between two songs.Then,using the axiomatic symbol system to deduce the basic outline of the generative structure theory of oral ballads.This theory combines the structuralism analysis and the oral formula analysis to explain the generative structure generated by each oral performance(any ethnic group)completed through a song.
作者
傲东白力格
AO Dong Bai Li Ge(School of Ethnology and Sociology,Northwest Minzu University,Lanzhou,Gansu,730030)
出处
《内蒙古艺术学院学报》
2020年第3期61-72,共12页
Journal of Inner Mongolia Arts University
基金
国家社科基金项目“蒙古英雄史诗学术史研究”(项目编号:11XZW026)系列研究论文。
关键词
口头歌谣
生成结构
公理化方法
Dede Mongolian
oral ballad
axiomatic symbol system
generative structure
