摘要
1980年以来,广义或狭义概念上的“神怪”研究集中在神话学、文学、考古学、美术、影视传媒、文化产业和民俗旅游等方面。纵观这些研究可看出:在研究时间与研究对象上,学界普遍缺乏对探讨时段做阶段划分,尤其对佛教和道教兴盛以前的早期中国的神怪图像之所以然重视不足,由此带来问题意识的局限性;在研究理念上缺乏对最重要的借鉴与参照对象——日本妖怪学进行深入反思,存有中日横向移植的盲区;在研究视域上往往从文献出发,或仅对部分器物作考察,缺乏结合中华文明探源成果进行溯源研究,缺乏对更多器物类型的神怪图像进行综合研究。在总结现状的基础上,文章认为对中国神怪的研究亟须被融入中国思想史研究脉络中,使其成为理解中华文化起承转合的有效组成部分。
Since 1980,the study of"ghosts"in a broad or narrow sense has focused on mythology,literature,archaeology,art,film and television media,cultural industry and folk tourism.It can be seen from these studies that in terms of research time and research objects the academic community generally lacks a phase division in the periods of discussion,especially the lack of attention to the original images of ghosts before the prosperity of Buddhism and Taoism,which brings awareness limitation.In terms of research concept,there is a lack of in-depth reflection on the most important reference and reference object——Japanese hobgoblins,and there is a blind area for horizontal transplantation between China and Japan.In terms of research perspectives,the research often starts from the litera⁃ture,or only investigates some artifacts,but lacks the traceability research combined with the achievements of the exploration of Chinese civilization to make a comprehensive study on the images of ghosts of more artifacts.On the basis of summarizing the current research situation,this article believes that the study of Chinese ghosts urgently needs to be integrated into the context of the history of Chinese thought,and become an effective part of the under⁃standing of Chinese culture.
作者
谭佳
TAN Jia(Institute of Literature,Chinese Academy of Social Sciences,Beijing 100732,China)
出处
《百色学院学报》
2020年第4期23-29,共7页
JOURNAL OF BAISE UNIVERSITY
关键词
中国神怪
妖怪学
中国神话
中华文明探源
Chinese ghosts
the studies of Yaoguai
Chinese myth
origin of Chinese civilization
