摘要
鲁迅《奔月》是一个具有丰富互文性的文本,借助伽达默尔"视域融合"观念,分析其内含的"互文本结构",能够进一步丰富文本的阐释空间,也能够更深入理解鲁迅《故事新编》系列独特的文学价值。《奔月》文本与传说"故事"、与现实"本事"、与鲁迅其他创作等三个层面的对话,共同构成其"互文本结构",背后是鲁迅在创作手法、风格与思想层面,试图打通"古代"与"现代"、"文学"与"现实"、"严肃"与"油滑"的尝试。
Lu Xun’s The Moon is rich in intertextuality.Based on Gadamer’s“fusion of visions”,the analysis of this“intertextual structure”could enrich the space of meaning interpretation and help to comb the author’s creative techniques and literary style.The rewriting of the legendary,the mapping of real events and the echoes with other literary works of Lu Xun work together to form a unique“mutual text structure”.It is an attempt to break the boundary between“ancient”and“modern”,“literature”and“reality”,as well as“solemnness”and“playfulness”.
作者
梁仪
LIANG Yi(The College of Literature and Journalism of Sichuan University,Chengdu 610064,China)
出处
《太原学院学报（社会科学版）》
2020年第4期60-65,共6页
Journal of Taiyuan University(Social Science Edition)
关键词
《奔月》
鲁迅
互文本结构
视域融合
意义阐释
The Moon
Lu Xun
intertextual structure
fusion of horizons
meaning interpretation
