摘要
中国现代文坛上的男性作家大都热衷于塑造或温婉善良或美丽性感或聪慧活泼的正面女性形象,这往往根源于作家的恋母情结、女性化气质或情欲投射,也是为了迎合读者趣味或某种政治意识形态。鲁迅则基于个人的生活经验和国民劣根性批判的立场,有意地塑造了一大批或愚蠢庸俗或刁泼粗鲁或造谣害人的负面女性形象。鲁迅的负面女性书写超越了男性化的趣味和男权主义的色彩,也成功突破了"才子佳人"式的中国文学传统及"瞒和骗"的文艺与文化传统。
In modem Chinese literature, most of the male writers are keen to shape the positive temale image, who are gentle and kind, beautiful and sexy, or intelligent and lively. This is often derived from the writer＇s Oedipus complex, feminine temperament or erotic projection, but also to meet the reader＇s taste or a political ideology. However, based on the personal life experience and the criticism of national character, Lu Xun intentionally created a large number of negative female images.Lu Xun＇s writing goes beyond the masculine taste and the patriarchalism,and also successfully broke through the ＂gifted scholars and beautiful ladies＂ type of Chinese literary tradition and the ＂Concealment and deception＂ type of cultural traditions.
作者
罗执廷
LUO Zhiting(College of Literature, Jinan University, Guangzhou, Guangdong, 510632)
出处
《中国文学研究》
CSSCI
北大核心
2017年第2期95-99,共5页
Research of Chinese Literature
关键词
鲁迅
负面女性形象
国民性批判
文学传统
Lu Xun
negative female image
criticism of national character
literary traditional
