摘要
橘逸势是唐朝时代奉日本天皇之敕跟随日本遣唐使节团来唐的留学生。他在留唐期间历访明哲、兼学琴书,回到日本后更是获得了偌大的书名,与空海、嵯峨天皇并称为日本平安时代书法的"三笔"。文章在查阅相关史料的基础上,较为系统地考察留学生橘逸势的生平事迹,分析深受晋唐书风影响的橘逸势对中日书法文化交流做出的重要贡献,指出其书迹对于现今管窥唐朝书风亦具有参考意义。
Tachibana no Hayanari was a Japanese student coming to China with the Japanese envoy delegationunder the command of Mikado. During his visit in Tang Dynasty, he visited many personages and learned both lyre-playing and calligraphy. After his return to Japan, he earned great reputation and was honored as one of the group ofthree outstanding calligraphers called Sanpitsu(Three Brushes), together with Kūkai and Emperor Saga. Based onrelevant historical materials, the article systematically explores the life experience of Tachibana no Hayanari. Deep-ly affected by the calligraphic style in Jin and Tang Dynasty, he made great contribution to the calligraphic and cul-tural communication between China and Japan. His works also have significant meaning to the exploration of the cal-ligraphic style in Tang Dynasty.
作者
卜朝晖
杨珏
BU Zhaohui;YANG Jue(School of Foreign Languages,Guangxi University,Nanning,Guangxi 530004,China)
出处
《百色学院学报》
2020年第3期68-74,共7页
JOURNAL OF BAISE UNIVERSITY
关键词
橘逸势
遣唐留学生
书法
文化交流
Tachibana no Hayanari
Japanese student in Tang Dynasty
calligraphy
cultural communication
