摘要
基于近代新闻传播业的发展而生成的报告文学,由其称名,可知这是一种特殊的"报告的"文学。在很长时期内,新闻性、文学性和政论性等是它基本的文体特征。文随世移,报告文学在与时应变的演化中,特别是在"全媒体"传播时代,它本有的新闻性优势明显弱化,相应地,作家注重非虚构的叙事审美,以适应新的书写对象和读者新的接受期待。报告文学已由原先的"新闻文学",转型为现在的作为叙事性非虚构写作方式;由"报告的"文学,转型为"文学的"报告。非虚构性、叙事性、文学性构成了新变后的报告文学文体的基本特征。
Reportage is a literary genre emerged out of modern journalism,featuring its blending of news,literature,and political commentary.With the changing of time,particularly due to the advent of the"Age of Omnimedia",its function to report news has significantly declined.Writers of reportage begin to develop its non-fictional narrative aesthetics,in order to accommodate themselves to the reader-objects and rising reader expectation.Reportage,as it stands,has shifted from its original style of reporting to a new genre of"literary reportage",a non-fictional narrative mode with distinctive features such as non-fiction,narrativity,and literariness.
作者
丁晓原
Ding Xiaoyuan(Changshu Institute of Technology;Editorial Board of Soochow Chuanshu 215500,Jiangsu Province,China)
出处
《文艺理论研究》
CSSCI
北大核心
2020年第3期76-83,共8页
Theoretical Studies in Literature and Art
基金
国家社科基金项目“‘全媒体’时代中国报告文学转型研究”[项目编号:16BZWO25]
国家社科基金重大项目“两岸中国现代散文学史料整理研究暨数据库建设”[项目编号:18ZDA264]阶段性成果。
关键词
报告文学
叙事性
非虚构
reportage
narrativity
non-fiction
