摘要
本文从比较诗学视角聚焦钱锺书《谈艺录》中的中西诗学共同体意识及其文明精神面向。重点分析:(1)《谈艺录》的中西比较诗学体系;(2)历时诗学论;(3)本体诗学论;(4)钱锺书批评意识的精神面向。揭示《谈艺录》秉持的诗学认识论公理,即:异类互补、异中证同;彰显《谈艺录》表征的异质多元诗学和异质多元文明认知模式;反思现代批评意识的内在张力,即精神化运动与文化物质实践,不同文明之间知识、观念、审美品味等的迁徙流动,传播变异与跨文化的文化物质实践之间的张力。
This article not only focuses on the poetic communal consciousness and its civilizational spiritual orientation in Qian Zhongshu’s Talk on Poetics from the perspective of comparative poetics, but also mainly analyzes the Sino-Occidental comparative poetic system in Talk on Poetics, diachonic approach to poetics, ontological approach to poetics and the spiritual orientaion of Qian Zhongshu’s critical consciousness. Furthermore, it discloses the axiom of poetic epistemology in Talk on Poetics-supplementarity of heterogeneous families and the verification of the same in alterities, manifests the epistemological mode of hetero-multivalent poetics and civilizations, and reflects on the immanent tension of modern critical consciousness-between spiritualization and cultural material pratice as well as between the trans-civilizational travelling and variation of knowledge, ideas and aesthetic taste, etc. and trans-cultural cultural material practice.
出处
《外国语文》
北大核心
2020年第2期31-37,共7页
Foreign Languages and Literature
关键词
钱锺书
比较诗学
认知模式
诗学共同体意识
Qian Zhongshu
comparative poetics
epistemological mode
poetic communal consciousness
