摘要
侘寂美学与陶瓷骨殖容器之间暗含着较为密切的联系。在精神上,两者具有诸多的相似之处,而在传统的陶瓷骨殖容器形制中,却很少有两者在形与意上的结合。当人们的价值观与生死观悄然发生变化时,骨殖容器的发展却依然迟滞缓慢,就造成了供求之间的不对等和文化衔接上的偏差。侘寂美学在陶瓷骨殖容器中的设计与应用恰符合时代背景下的审美理念,有助于引导人们重新认识生命历程,并建立新的生命态度与美学观。
There is a close relationship between the aesthetics of wabi-sabi and the ceramic container.In spirit,they have many similarities.However,in the traditional shape of ceramic container,there is little combination of the two in form and meaning.When people’s values and outlook on life and death quietly change,the development of the container is still stagnant,which results in the imbalance between supply and demand and the deviation of cultural connection.The design and application of wabi-sabi aesthetics in ceramic container conforms to the aesthetic concept of the times,which helps to guide people to re understand the life process and establish a new life aesthetics.
作者
逄威
Pang Wei(Hunan University of technology,Zhuzhou 412000.China)
出处
《陶瓷科学与艺术》
CAS
2020年第4期18-20,共3页
Ceramics Science & Art
基金
湖南省社科成果评审委员会项目(湖南省社会科学基金)《基于新时期殡葬管理制度下的湖南陶瓷殡葬容器创新设计研究》(项目号XSP19YBC023)
湖南省教育厅科学研究项目(湖南省教委科研基金)《中国陶瓷殡葬器具艺术研究》(项目号18B289)。
关键词
侘寂美学
陶瓷骨殖容器
创新设计
wabi-sabi aesthetics
ceramic bone container
innovative design
