摘要
中国文字是表意文字,它的形体结构和意义之间有着密切的联系。这种联系的逻辑—认知过程,中国传统的意象性思维的规范作用起着决定性因素。它以一种主观情愿与外在物象相融合的思维方法,在观象比类的逻辑—认知过程中,规范着中国文字发展的历史进程,引导着中国人在认字解字过程中的审美观念与方法。品味这种思维方式的规范作用,也可以体察其背后的逻辑方法论原则、审美观念、技术方法、文化传统、人文精神。
Chinese characters are ideographic characters,whose body structure and meaning are closely related.The logical cognitive process of this connection is determined by the normative role of traditional Chinese imagery thinking.It is a way of thinking that integrates subjective willingness with external images,standardizes the historical process of the development of Chinese characters in the process of logical cognition of visual comparison,and guides the aesthetic concepts and methods of Chinese people in the process of character recognition and interpretation.To taste the normative function of this way of thinking,we can also observe the principles of logical methodology,aesthetic concepts,technical methods,cultural traditions and humanistic spirit behind it.
作者
贾磊
张晓芒
Jia Lei;Zhang Xiaomang(Xinjiang Police College,Basic Department,Urumqi 830011;Nankai University,Philosophy College,Tianjin 300350)
出处
《黑龙江社会科学》
2020年第2期128-134,160,共8页
Social Sciences in Heilongjiang
关键词
中国文字
意象性思维
逻辑—认知
Chinese Characters
Imagery Thinking
Logic-cognition
