摘要
南北文风交融是元代文坛格局的一大特征。蒙古灭金统一北方至统一全国以前,由于宋金长期南北隔绝,声教不通,加之士风之不同,地理之差异,南北文人学术背景与诗文取法对象各不相同,北方承金而来,南方承宋发展,一南一北之文风,各以自己的方式发展与流传,从而形成了鲜明的特色,自程钜夫受元世祖忽必烈之命江南访贤,赵孟頫、张伯淳、袁桷等一部分南方文士入仕元朝以后,大批南士北来,翰林国史院与奎章阁汇聚了大批南北文士名宦和多民族文人,交游往复。姚燧、卢挚等北方文人南下,南北文士的交流融合进一步加强,共同促成了南北文风的交流和融合,元代文坛逐渐形成大一统局面下平易正大、涵容百家、伉健雄伟、冲淡悠远、纡徐雍容、涵淳茹和的盛世文风。
The blending of the southern and northern literary styles is one of the characteristics of the literary structure of the Yuan Dynasty.Before the unification of the north and the whole country by Mongolia,due to the long isolation between the north and the South in song and Jin dynasties,the lack of sound education,as well as the differences in the styles of scholars and the differences in geography,the academic backgrounds of scholars in the south and the north were different from the objects of poetry and prose,the North inherited from the Jin Dynasty and the south inherited from the Song Dynasty.One south and one north,each developing and spreading in its own way.Since then,a large number of southern scholars have come from the north.They have gathered together at the Hanlin State Historical Institute in Kyujanggak with the southern and northern literati and the multi-ethnic Literati,and back and forth.Yao Sui,Lu Zhi and other northern Literati went south,and the exchange and fusion of southern and Northern Literati contributed to the exchange and fusion of southern and northern literary styles,the Yuan Dynasty literature gradually formed a unified prosperity of the need for the plain,inclusive hundred families,and vigorous and majestic,diluted far-off,Xu Yong Rong,Han Chun Ru and other prosperous literary style.
作者
任红敏
Ren Hongmin(Hebei University,Baoding 071002,China)
出处
《河南师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2020年第2期120-128,共9页
Journal of Henan Normal University(Philosophy and Social Sciences)
基金
国家社科基金重大项目(18ZDA237)
国家社科基金重大项目(18ZDA340)。
关键词
元代
地域文化
南北文坛
南北文风
Yuan Dynasty
Regional Culture
north-south Literary World
north-south literary style
