摘要
音乐修辞分析是通过探讨音乐中引用与隐喻修辞之间的关系,获得对钢琴作品独特意义诠释的研究路径。音乐修辞视阈的分析研究具有特殊性,它以关注作曲家非常规的写作手段文本引用为出发点,通过分析被援引文本在全新语境中的诉说,探讨其隐喻性修辞的意义。由李斯特《唐璜的回忆》对莫扎特歌剧《唐璜》的引用以及威廉·金德曼教授论证的舒曼《幻想曲》对贝多芬歌剧《菲岱里奥》、声乐套曲《致远方的爱人》的多重性引用,可以窥见在修辞视阈中进行音乐分析的重要意义。音乐修辞分析对引用手法的探讨建立起跨文本的研究模式,在多个作品间找寻意义的转化,并在深入阐释其指涉的隐喻性意涵的同时,实现对作曲家音乐创造力更为深入的挖掘。
Musical rhetoric analysis is a method to obtain a unique interpretation of piano works by exploring the relationship between quotations and metaphorical rhetoric in music.The analysis and research from the perspective of music rhetoric are special.Starting with the focus on text quotations of the unconventional writing methods of the composers,the very method explores the significance of the metaphorical rhetoric through the analysis of the narration of the quoted texts in the brand new context.From Liszt’s Reminiscences de Don Juan’s reference to Mozart’s opera Don Giovanni,and William Kinderman’s argumentation of Schumann’s Fantasia to Beethoven’s opera Fedelio and song cycle The Distant Beloved,we can get a glimpse of the significance of musical analysis from the rhetorical perspective.The inquiry into quotation methods in musical rhetoric analysis helps establish the crosstext research mode so as to seek the transfer of the meaning among various works,and realize the deeper mining of the composers’musical creativity while deeply interpreting their metaphorical connotation.
作者
章馨方
威廉·金德曼
Zhang Xinfang;William Kinderman(School of Music,Jiangsu Normal University,Xuzhou 221018,China;University of California,Los Angeles CA90001,USA)
出处
《西北民族大学学报（哲学社会科学版）》
CSSCI
2020年第2期181-188,共8页
Journal of Northwest Minzu University(Philosophy and Social Sciences)
基金
2018年教育部人文社会科学青年课题“汉语语境下音乐修辞视阈的作品分析研究”(项目编号:18YJC760139)。
关键词
音乐修辞
引用
隐喻
李斯特
舒曼
music rhetoric
quotation
metaphor
Liszt
Schumann
