摘要
学界关于田汉前期作品风格和文艺思想一般以新浪漫主义、积极浪漫主义、唯美主义、现代主义等概括表述,却忽视其背后更为深广的希伯来精神。田汉前期思想中的希伯来精神来源如下:第一,受到《圣经》和基督教文化的直接影响。第二,受到来自日本文学和文化方面的涉及希腊精神与希伯来精神的影响。第三,受到西方文学的影响,如卢梭的《忏悔录》,歌德的《浮士德》,王尔德的《莎乐美》,托尔斯泰、陀思妥耶夫斯基的带有人道主义的作品。后因田汉个人生命经验的突转和社会形势、文艺思潮的突变,对希伯来精神由吸收转化走向对抗和抛弃。
The styles and literary notions of TIAN Han in the early stage of his career have been encapsulated in terms of neo-romanticism,positive romanticism,aestheticism,modernism,etc.,but the underlying Hebraism has been ignored. Hebraism in TIAN Han’s early thoughts had three major sources. The first source is the influence of the Bible and Christian culture. The second source is the influence of Japanese literature and culture,including the literary theories on Hellenism and Hebraism. The third source is the influence of Western literature,including Rousseau’s Confessions,Goethe’s Faust,Wilde’s Salome,and the humanitarian writings of Tolstoy and Dostoevsky. Later,due to the sudden changes in his personal experiences and in the social situation of his time,TIAN Han turned against Hebraism and abandoned it.
出处
《戏剧艺术》
CSSCI
北大核心
2019年第6期35-45,共11页
Theatre Arts
