摘要
“赋者古诗之流”是赋学史上的经典命题,体现了对赋的文体渊源、政教功用和敷陈写实的艺术特征等的普遍看法。明清时期,关于此论题的探讨依然热烈。文论家基于“赋源于诗”这一传统认知,反复阐扬赋对“六义”的涵摄性,强调赋的抒情功能、虚构特征以及对声韵的关注,丰富、发展了这一传统命题的理论内涵,也体现了明清文学思潮的嬗变轨迹。
The notion that“Rhapsody(fu)is a current of Ancient Poetry(gushi)”was a classic propo-sition in the historical study of fu,reflecting the widespread views on the origin,political and pedagogical functions of the fu genre,as well as its artistic features such as narrative realism.There was intensive investi-gation on this topic during the Ming and Qing Dynasties.Literary critics drew upon the traditional notion that“rhapsody(fu)originated from the Book of Songs(Shi)”to repeatedly expound the view that rhapsody assim-ilated the Six Artistic Skills(Liu Yi)and emphasized its lyrical function,fictional characteristics and attention to rhyming,thereby enriching the theoretical connotations of this traditional proposition,while embodying the evolutionary trajectory of intellectual trends in literary criticism during the Ming and Qing dynasties.
作者
何诗海
He Shihai(Sun Yat-sen University)
出处
《武汉大学学报（哲学社会科学版）》
CSSCI
北大核心
2020年第2期80-88,共9页
Wuhan University Journal：Philosophy & Social Science
基金
国家社会科学基金一般项目（17BZW010）
关键词
古诗之流
六义
抒情
虚构
文体
声韵
current of ancient poetry
six artistic skills
lyric
fiction
genre
rhyme
